22 February 2009

Having fun with the Carmina Burana


Recently, I started reading the great blog called Bad Astronomy. Bad Astronomy deals with astronomy of course and its primary writer, Phil Plait,  touches on other branches of science regularly. The whole endeavor is peppered with a kind of sophomoric intellectualism and I can't get enough of it. Anyhow on Friday, Phil Plait wrote an amusing piece about pareidolia. Pareidolia is listening to something and hearing words and patterns that aren't really there.

To illustrate his point, he posted this video that's had me laughing since Friday.

         

That's O Fortuna from Karl Orff's Carmina Burana and it has to be one of the most stirring arrangements ever composed for a chorus. If you ever get the chance to see it performed live please drop what you're doing and go. It's at once so primal and so passionate you'd have to be a cadaver not to be affected by it. If you're interested in the lyrics, here they are in Latin as performed:
O Fortuna
velut luna                        
statu variabilis,                 
semper crescis                    
aut decrescis;                   
vita detestabilis                
nunc obdurat                     
et tunc curat                     
ludo mentis aciem,                 
egestatem,                          
potestatem                          
dissolvit ut glaciem.               

Sors immanis                       
et inanis,                          
rota tu volubilis,                 
status malus,                       
vana salus                         
semper dissolubilis,                
obumbrata                           
et velata                           
michi quoque niteris;              
nunc per ludum                      
dorsum nudum                       
fero tui sceleris.                  

Sors salutis                       
et virtutis                         
michi nunc contraria,              
est affectus                        
et defectus                         
semper in angaria.                  
Hac in hora                        
sine mora                           
corde pulsum tangite;               
quod per sortem                    
sternit fortem,                    
mecum omnes plangite!    

If your Latin's not up to snuff and you'd like a translation, you can find one here. Be warned though, these lyrics aren't what I'd call uplifting. That's OK though, uplifting lyrics are overrated.

21 February 2009

Alessi sale! through March 3





It's true, it's true; the design gods at Alessi are having a sale through March third on their online shop as well as at their locations in New York (Soho and Madison Ave.), Chicago and San Francisco.

I've always loved Alessi's sharp design sensibilities and I appreciate their regular embrace of all things whimsical. If you've ever been exposed to Alessi wide range of products, you know what I mean. Seeing a display of their wares always makes me laugh and to walk through an Alessi store is my idea of a toy store for adults with discriminating taste. For my birthday last year, two great friends of mine gave me what's now one of my favorite possessions, the Pisenillo Q-tip holder.


Here's the Pisellino in all its comic loveliness. The word pisellino is Italian slang for the appendage the Pisellino uses to keep the swabs it contains standing up. I get a laugh from it every morning. Grazie mile Alessi!

Credit crisis 'splained

I haven't harped about matters financial lately, so I think it's high time that I do so now. Here's a really good video that explains what's going on with this credit freeze annoyance. It's ten minutes long, but worth the watch.


The Crisis of Credit Visualized from Jonathan Jarvis on Vimeo.

20 February 2009

It's a sign of the times my friends



Well you know times is hard when you get an Ann Sacks e-mail newsletter that mentions anything about prices. This month's arrived with something so far beyond the mention of price I had to make sure that it was indeed from Ann Sacks. Well it was and it's true. All is woe after all. Ann Sacks has three styles of wall tile that start at less than $10 a square foot.


Avalon II --2" x 19 1/2" field in beige and 4 1/8" x 19 1/2" field in cocoa


Avalon II --2" x 19 1/2" field in black and white


Hacienda --3" x 4- 3/4" diamond in Normandy cream


Hacienda --3" x 4" San Felipe in café olay


Savoy --3/4" penny round in brick


Savoy --stacked brick mosaic in silkscreen


Savoy --3-7/8" x 3-7/8" field, offset brick and surface bullnose in paperwhite and box liner in black gloss


Savoy --offset brick mosaic in mint


Savoy --stacked mosaic and 3 7/8" x 7 3/4" field in bronze

19 February 2009

Reader question: what about mixing metals?


Q: Help! I changed out the ceiling light in my dining room with a brushed nickel finish. The lights in my kitchen & foyer are shiny brass. I'd like to replace the finish in the guest bath with nickel as well. But all my doorknobs and hinges throughout the house are shiny brass. Gosh, will I have to replace all these as well? Or can I mix them up?

What misguided soul is advising you and where does the idea come from that metals need to match everywhere? Oy. 

Well the answer is an emphatic no --there is no rule that says all metals in an entire house have to have matching finishes. While I'm at it, there really aren't any rules period. Design doesn't have rules; it has guidelines and accepted practices but these are hardly universal laws. Further, all of these guidelines and accepted practices share a common thread of intention. Spaces look designed because someone thought about them and imposed some kind of order on a disorderly universe. That's the big picture as I see it anyway.

Human beings are pattern-recognition machines. It's the root of our success as a species, and good design harnesses human brains' automatic pattern recognition skills. Better design manipulates and guides those same skills. I wrote about the Rule of Three a couple of months ago and that Rule of Three is nothing more than a pretty basic pattern (some would say the most basic pattern). Introducing a pattern and then sticking with it is fundamental and it's the easiest way to tackle things like metal finishes.

When I'm working with a client and the topic of metal finishes comes up, it's usually in the context of a kitchen and whether or not the knobs and pulls need to match the faucet and sink. The answer again is a resounding no, but what those metal finishes have to do is make some kind of sense. So the easiest way to do this is to introduce a logic to the room you're working with. By a logic I mean a set of rules you're going to use as a guide.

Here's a good example. This kitchen featured a Wolf range and an equally spendy range hood. My client wanted them to be the focal point of this side of her kitchen, so they are the only elements that are shiny. Your brain and my brain and everybody's brain is drawn to shiny objects. Shiny stuff stands out and things with a matte finish retreat into the background. So when I picked the knobs and pulls, I went with a pewter finish so that it wouldn't draw any attention away from the range and the hood. Once that was established, I decided that any cabinet that had hinges would get a knob. That pretty much means all of the doors got knobs. The next rule was that anything that pulled out got a handle. So the drawers got handles. My client wanted to use some cup pulls, so I made an amendment to the second rule. So shallow drawers got a handle and deep drawers got a cup pull. We kept the same pewter finish on all of the knobs, handles and cup pulls to connect them. On the wall opposite the range, the sink and faucet were the focal points, so I picked a stainless steel apron front sink and a tall goose neck faucet, also in stainless. These two metal finishes are doing different jobs (one grabbing attention, the other avoiding the spotlight) and so they have different finishes. See? Easy.



So the answer to your question is still an emphatic no, your metal finishes don't have to match. They don't have to match but they do have to make sense. So make a room-specific set of rules for your project. It can be as simple as "Light fixtures have nickel finishes, door hardware has brass," and you can leave it at that.