Saturday Funnies

This video is a hoot.

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More MOMA

This is the Museum of Modern Art in Manhattan. I can't think of another recent building that thrills me as much as this one does. I love New York and that museum seems to take everything I love about New York and compresses it into one glorious spot on West 53rd.


On the end of my desk sits this coffee cup. I bought it at MOMA a year-and-a-half ago. Before Starbucks invaded the Isle 'o Manhattan, every cup of coffee sold in the city came in a paper version off this cup. It amuses me.

MOMA has a great online store and they've added to it significantly for fall. They sell gorgeously-designed and reasonably priced objects that are either reproductions of works in their galleries, or pieces inspired by the museum's holdings. It's a way to bring a little New York into your life and for those of us out in the provinces, a piece will have to do. Check it out.

Mid-century classic furniture meets prosthetic leg

I came across this on Apartment Therapy this week and I couldn't pass it up.

I love the work of Charles and Ray Eames as I've said before on many occasions. In 1956, the Eames' released their Eames Lounge and Ottoman through Herman Miller. Herman Miller still produces them now, but in 1956, the Eames/ Herman Miller combination hit pay dirt and released an instant classic. This chair is a design icon for obvious reasons. Designers go ape over it still and it remains as popular now as it was at the time of its unveiling.


An industrial designer named Joanna Hawley took her inspiration from the Eames Lounge and Ottoman and used that inspiration to design a prosthetic leg while she was a design student at Carnegie Mellon University. Hawley partnered up with Kayhan Haj-Ali-Ahmadi, a pre-med student. Kayhan's knowledge of anatomy and Joanna's design skills combined to terrific effect and the fruit of their partnership speaks for itself.
When I think of prosthetic limbs, If I think of prosthetic limbs, the idea that they should be beautiful never occurs to me. When it comes to medical devices, I always assume that function trumps form every time. Who says they can't work together? Clearly, not Joanna Hawley.


In her own words and from her website:

Prosthetics generally lack humanity, style and grace. Often, they look much like landing gear and make the wearer uncomfortable, self aware, and sometimes depressed. By channeling the Eames' use materials and iconic style, we designed a leg with Steve McQueen in mind. We sought to convey a creative use of positive and negative space, a balance of materials and a reflection of the wearer.

I corresponded with Joanna Hawley a bit the other day and I asked her why a prosthesis? Here's what she had to say:

Today's generation is faced with the Iraqi war, particularly the reality of soldiers coming back without limbs. Diabetes is also the leading cause of amputees in America, which is a little known fact. Finally, as an Industrial Designer, its my job (and passion!) to think of ways to improve people's lives. All these reasons simply rolled into one very intense and exciting project. I've always been a huge fan of Ray and Charles Eames (as you can probably tell by the rest of my work) and I wanted to give this prosthetic a very eye-catching aesthetic. I know veneering can be polarizing, but so far people seem really excited by the possibilities. And really, that's what the point of the project was, to identify the possibilities in the future of prosthetics.

Get this woman an award.

Bahamamania

Someone who goes by the name of Globalnomad left a comment here yesterday and he mentioned a rental house a little farther up the coast of Cat Island from where I stay. I followed the link to The Cat Island Boathouse. Wow. What a place! Check this out:

I think you have to have spent some time over there to realize how truly remarkable the kitchen in the Boathouse is. Getting your hands on those kinds of building supplies when you're on an island in the middle of the Atlantic is an undertaking I don't want to contemplate.

Here's a map of the entire island nation of The Bahamas. You can see pretty clearly how its location relates to Cuba and Florida.

This is a close up of Cat Island itself. Fernandez Bay Village is marked about three-quarters of the way down the west coast of the island. Pigeon Cay and Flamingo Point are a bit farther north on the same coast.



So thanks Globalnomad, you've given me a new place to go exploring next week. And in the meantime, go look at The Boathouse's website. If there's a heaven, it looks like Cat Island, trust me.

Espresso madness

Dwell's kitchen blog is running a review of the new Jura Capresso ENA espresso makers and that's all well and good. Jura Capresso makes countertop, automatic espresso machines if you've never heard of them. There was a time in my life when I would have lopped off an arm gladly in exchange for a Capresso of my very own. If you've never seen one, just go into a Williams-Sonoma or a Sur la Table and ask to see the most expensive coffeemaker they have. The Jura Capresso automatic machines retail for anywhere from $2300 to $3400 dollars. That's a lot of dough for a cuppa joe. It's a lot of money and the machines are anything but compact --they eat up a lot of space on a counter top.

The new ENA line is meant to be a remedy for the size and price barriers their regular lines present for a lot of people. So the ENA line is only 9-1/2" wide, and its prices range from $899 to $1199. That's still a lot of money for something that will hog up my counters.

An alternative I used to see in a much better light is the built-in espresso systems made by companies like Miele and Gaggenau. It would be easy to think that as built-in machines, they would cost more than the Capresso countertop models. Well they don't surprisingly enough. They average around $2500 for the machine itself and then you have to figure in the added expense of building the thing into a wall or a line of cabinetry.

Either of those options is a huge amount of money. Now, I specify the Miele built-in systems all the time and I would love to see a study of the habits of people who buy them. I have a feeling that those machines don't get used very often, certainly not often enough to justify their expense. I'll admit that my theory might come from my being cheap, but I'm not so sure.

Now I love espresso with a passion that frightens me sometimes. Just give it to me plain, no contaminants. I drink it in the morning in lieu of brewed coffee, and I can no sooner envision a life without espresso than I can a life without sunshine or oxygen. So what do I do? I love espresso, but I like the idea of not spending three grand on a coffeemaker just as much.

The answer comes in humble form of the Bialetti stovetop espresso pot. The Bialetti Moka was invented in 1933 by Italian industrial designer Alfonso Bialetti. The design of the thing is iconic to say the least. It still made the same way, works the same way and looks the same way that it did in 1933. I paid $25 for my Bialetti and I use it every day. And with that I throw down the gauntlet and challenge any of these countertop or built-in machines to a duel. My $25 machine makes the best espresso on the planet. Don't believe me? Bring your $3000 coffee maker over to my place and we'll have a brew off.