19 September 2010

Late-summer rerun: From the land of the shoo-fly

This post ran originally on October 3rd, 2008. In an effort to reclaim some part of my life, I'm dipping into my archives on weekends for the time being.



I grew up in Lancaster County, Pennsylvania; and no, I'm not Amish. I've been away from those gently rolling hills for a long time but Thanksgiving makes me nostalgic. I may not be Amish, but it doesn't take an Amishman to appreciate pretty countryside and an urge to make things by hand.

Arguably, Lancaster County's signature dish is a little something called shoo-fly pie. Shoo-fly pie is one of those things that everybody's heard of but never encountered first hand. Shoo-fly pie is one of my favorite things to bake and it can't be the holidays in my house without it.

The first time I ever made one for a party, everyone thought it was so exotic and cosmopolitan. That is funny on so many levels at one time I can't stand it. Anyhow, here's my recipe for cosmopolitan and exotic shoo-fly pie.


Pie dough for a nine-inch pie
1 cup of all-purpose flour
2/3 cup of firmly packed, dark brown sugar
5 tablespoons of unsalted butter (softened)
1 cup light molasses
1 large egg
1 teaspoon baking soda
1 cup boiling water

Roll out pie dough and turn into a nine-inch pie plate. Trim and flute the edges. In a mixing bowl, combine flour, brown sugar and softened butter. Mash with a fork until it reaches a consistent, crumbly consistency. In a separate bowl, beat together the molasses, egg and baking soda with a large spoon until blended. Stir in the boiling water and mix thoroughly (this will begin to foam). Stir half the crumb mixture into the molasses mixture and pour into the crust. Sprinkle the remaining crumb mixture evenly over the top. Bake a 400 degrees, on the center rack, for 10 minutes. Reduce the heat to 350 degrees and bake until the pie filling has puffed around the sides and is firm in the center, about 20 to 30 minutes more. Cool on a rack.

18 September 2010

Late-summer rerun: A faux education

This post ran originally on October 3rd, 2008. In an effort to reclaim some part of my life, I'm dipping into my archives on weekends for the time being. 


I had a conversation about faux painting with a client the other day. She wanted me to refer her to a painter who could paint some columns in her entry way so that they looked like they were made from marble.

Now a year ago I would have done everything in my power to dissuade her from this faux marble idea. There was a time when I couldn't separate the idea of faux painting with its most obvious and bad expressions. All too often, people take a page from HGTV and attempt to faux paint (poorly) things that have no business being faux painted. Stuff like this:



I mean really, what are the odds of a contemporary house having walls made from entire slabs of identical marble? The first test these kinds of techniques have to pass is a logical one. Ask yourself, does this application make sense? In the case above, the answer is a resounding no.

But in the hands of a professional artist, a faux marble or trompe l'oeil effect can be cool as well as a compliment to the structure of a room. That said, well-done work of this kind is the exception rather than the rule. Unless you have a fine arts background, do not attempt this on your own or you'll end up with something that looks like this:


Man! That burns my eyes.

The idea of faux marble and trompe l'oeil painting got its start in Ancient Rome believe it or not. I had to see it first hand to believe it and here are some photos of what I saw. Some friends and I were treated to a walk through the excavation of the Villa San Marco in Castellmare di Stabia a couple of months ago. The Villa San Marco was a 28,000 square foot (that's not a typo!) Roman villa on the shores of the Bay of Naples. The Villa San Marco was the home of wealthy Roman family and it was buried by ash during the eruption of Mount Vesuvius in the year 79. The villa is an amazement and to walk through it today is to get a real feel for the people who lived in it.

The Roman empire had a leisure class, probably the first such leisure class in human history. This leisure class had enough time and enough money to develop the idea of decorative art for their homes. It makes my heart beat faster to think about people two thousand years ago living lives that had an awful lot in common with mine. Now, I don't live in 28,000 square feet of house but I do like a nice paint job. Besides, so much of our cultural stuff --from birthday parties to wedding rings, from exchanging presents in late December to the Superbowl --we got from them.

This is a detail of a trompe l'oeil fresco on a wall in a bedroom in the Villa San Marco. It wasn't until I saw this with my own eyes that I realized that the Romans had mastered perspective. Perspective disappeared from western art for nearly a thousand years after the fall of Rome.

Here's a detail from a similar fresco.

This is another fresco from the same room. Now bear in mind that this fresco is around 2000 years old and survived the explosion of a nearby volcano. My mind reels when I think about how this must have looked when it was new.

I thought my head was going to explode when I stood in front of this wall. My photo doesn't begin to do it justice. The room itself was small, probably twelve feet wide by ten feet deep. But even after all those years, this fresco made the walls disappear. If you ever find yourself anywhere near Naples in southern Italy, you owe it to yourself to track down a guide who will get you into the Villa San Marco.

Just inside the main entry and in the peristyle courtyard of the Villa San Marco the the shrine to the household gods of the family who owned the villa. It's made from cast concrete and I was amazed that so much of its original paint job had survived the years.


When I looked closer though I realized that the whole thing had been faux painted. The marble that this faux marble is imitating is all over Italy on ancient as well as in contemporary structures.

Here's an even tighter close up. Un-be-liev-a-ble.

So seeing those Roman paint effects was really something. I learned that the faux marble I'd always mocked had a real history and I started warming up to the idea of it. Ditto trompe l'oeil painting. So I decided to get over my biases and just accept it as another decorative art. So long as it's done well that is. Done well by a master like what I saw at the Villa San Marco.

Well about a week later I was in Rome and I was walking down the Corso d'Italia at 7:30 on a rainy Sunday morning. As I now know, rainy Sunday mornings are about the only time when Rome's streets are quiet. I heard a church bell and decided to go to mass. I mean, when in Rome, right? So I ducked into the first church I came to, the San Carlo di Corso. It's also one of the largest churches in Rome. It was built in the early 1600s and it is massive. The entire interior seemed to have been made from marble and granite with a whole lot of gilt for good measure.

So about 20 Italian senior citizens, me and a handful of pilgrims from the world over sat through mass and despite the fact that it was in Italian, I surprised myself with how well I could participate in it. Even after all these years, a mass is a mass regardless of the language it's said in. So I followed along between major bouts of distraction by the incredible building I was sitting in that is. Then, after mass, I couldn't restrain myself any longer and I walked over to the side of the church to get a good look at the stone work.


Wouldn't you know it, every inch of marble and granite on those 400-year-old walls was faux painted.

17 September 2010

Martha Stewart commits another offense


The Home Depot just launched a new line of cabinetry and it has Martha Stewart's name plastered all over it. I mean that literally.

One of my favorite people in all of Bloggerdom is the ever delightful Raina Cox from If the Lampshade Fits. Raina likes to poke me with a stick through late night, one-line e-mails that she knows will get a rise out of me. Her latest arrived on Sunday night. The subject line read "Thoughts?" and the body of the message consisted of "Martha Stewart kitchens from Home Depot" and then she included a link to an LA Times article announcing the product launch. Predictably, Raina's message set off a flurry of internet searches and a round of back and forth messages that consisted of my bile venting.


Listen, I don't begrudge Martha Stewart one thing. In fact, I admire everything she's managed to do over the last 30 years. Our tastes diverge shall we say but aside from the taste thing I'm in awe her ability to turn every aspect of the character she plays on TV into another branded product.


With that said, she may have crossed a line here with The Home Depot.

From the LA Times:
Using her own utilitarian kitchen as inspiration, Martha Stewart has released her first special order line of cabinetry, hardware and counter tops.

Sold exclusively at the Home Depot, the cabinetry features clean lines and comes in 11 door styles and a variety of wood finishes. It also offers thoughtful accessories that show Stewart is in charge: cookbook pop downs, roll out shelves and pegged dish organizers.

From the sound of that press release regurgitation, somebody'd would be led to believe that Martha herself was very intimately involved in this project. That would be wrong of course.

Again from the LA Times:
Inspired from authentic all-American homes with enduring charm, these designs are rooted in classic styles and crafted expressly for the modern home.
Just like the Thomasville cabinetry sold at the big orange box, this is a licensing deal. Home Depot pays Thomasville and Martha Stewart for the use of their names. And just as is the case with Thomasville Cabinetry, Martha's are made by MasterBrand Cabinets. Masterbrand Cabinets itself is a division of Fortune Brands. This doesn't make them a bad product. It does however explain that they are a relatively inexpensive, mass produced cabinet. The brand names like Martha Stewart and Thomasville are there to distract people from the fact that what they're buying is not actually a premium although they're priced as if they are.


If you find yourself at a home center for cabinetry, and this pertains to a lot of people, just know what you're in for and adjust your expectations accordingly. Oh and by the way, cabinets aren't sold by the foot so don't believe the linear foot costs home centers like to scatter around their kitchen departments. real prices are somewhere between three and four times the prices on the signs.

Oh and by the way, the images scattered around this post are from Home depot's Martha Stewart Cabinets. The first photo's door style is called Mount Desert. It looks like a cheesy, home center, oak cabinet and that exactly what it is.

So whattya think gang, would you let Martha into your kitchen under these circumstances?

16 September 2010

Geek-to-chic events showcase K&B/interior designers' “Tech Moxie”

The following post is written by Mark Johnson, FAIA. Mark's a good friend and colleague and he's reporting from two events I didn't make it to this year. I'm happy to host his dispatches from a conference at Google's Boulder Campus and then from Fashion Week in New York. Unrelated events? I don't think so. You can follow Mark on Twitter; he tweets as @MarkJohnsonFAIA. So without further ado, here's part one of Mark's adventures from the road.


--Paul

I was delighted to attend major events in just two weeks where Kitchen & Bath (K&B) and Interior Designers dominated social media and embraced the newest design technology offered from Google. Why is this tipping point so important? Historically the K&B/Interior Design community has been content to follow rather than lead in adoption of online and tech tools. Architects have been the resident design geeks, but not for long…

Question: “Can a designer be Geek and Chic?” You say it’s an oxymoron and I’m a moxie moron for even suggesting? Stay with me for this two-part blog and I’ll try to prove it’s an important sea-change. Dive in, I promise you won’t become a pocket-protector misfit.

The Podium at 3D Basecamp - A mashup of High Tech & Camping with Shrek
Google 3D Basecamp where "It's Hip to be Square"

The events I attended couldn’t be more different and that’s what’s so exciting. I’ll call Google SketchUp 3D Basecamp in Boulder, “Geek Week.” I’ll dub the Luxury Bath Design Challenge at New York Fashion Week 2010, “Chic Week.”

Mark Johnson FAIA proposing "Unconference" Session on Social Media and Google 3D Warehouse. Aidan Chopra wondering... Does this topic have traction??

Let’s start in beautiful Boulder where Google’s indoor camping theme had their employees wearing wool caps in August…yeah, pretty geeky, but in a chic sort of way. We talked tech around virtual campfires; amazing what you can do with LED lights, a fan, fabric and kindling…not very romantic, but it was a geek fest after all. Don’t worry fashionistas, Part 2 will cover New York Fashion Week so hang in there, you need to read this.

Camp #4 - The On-Stage Wilderness with Google dudes and a roaring virtual campfire.

Trekies, I mean Techies, from around the world converged on Boulder with the unbridled enthusiasm of tweenage boys attending a Boy Scout World Jamboree. All the while, who’s quietly tweeting to the world about the release of Google SketchUp Version 8? Why it’s a cadre of K&B designers at 3D Basecamp, iPads and Macs in hand, and their Florida friend, Paul Anater @Paul_Anater, tweeting from afar.

Camp #5 - "Unconference" Session on Social Media +Google 3D Warehouse. No campfire, just lanterns...

Rachele Harless Gorsegner @misedesign, Eric Schimelpfenig @SketchThis, yours truly @MarkJohnsonFAIA, and @IntDesignerChat interloper, Alex Oliver @igloostudios were all there to witness the Version 8 launch, post over 50 tweets, and add a 34 pic photo album to Facebook by the next morning. I’ve included some pics with captions so you can see the brain damage we inflicted. Not to worry, most of it was virtual.

Camp #3 - Rachele Harless Gorsegner & David Pillsbury @davidpillsbury goofing off with the Google Team

Boulder is pretty laid back so our band of K&B SketchUp power users showed them how it’s done. In fact, on “Unconference Day,” Alex Oliver and I each led conference sessions highlighting Social Media, Google Apps, 3D Warehouse and our segments of the design industry; building products for architecture, interiors and K&B. Our quantitative analysis demonstrating how to generate ROI metrics with free Google Apps raised some eyebrows…Uh oh, this is getting geeky. In plain speak; 3D building and interior products are some of the most popular collections in Google’s entire 3D Warehouse.

SketchUp Road Warriors: Mike Tadros, Eric Schimelpfenig, David Pillsbury, Mark Johnson, Alex Oliver So to our many friends on the K&B and Interiors side of the business, you were well represented at "Geek Week". We even recruited a few through the wormhole to the K&B side of the Universe. Next post; on to New York for "Chic Week". No camping gear allowed…although a few celebs were spotted wearing “camo” near the runway! Eeww.

15 September 2010

Hansgrohe adds to their collection of water-saving showers

Hansgrohe just added two new shower models to their stable of water-saving showers. Interestingly enough, Hansgrohe figured out a way to inject air into the water stream of a shower and when the air and water are mixed in a 3:1 ratio, the volume of the spray doesn't decrease but the amount of water used drops by anywhere from 20 to 36%.

The whole process is pretty slick and as you can see in this illustration of a Raindance AIR shower, Air gets pulled into the face of the shower.


Once the air's inside of the shower, the air gets mixed with water behind of face of the shower. The pressure from the water supply then shoots everything out of the face of the shower in a consistent stream. The method of air injection Hansgrohe uses actually increases the water droplet size as it's using less water. The result is a more drenching shower.

Hansgrohe how has two new additions to their collection of air injected showers. The first is the Chroma Green, a transitional style. Here it is in the handheld version:


And here it is as a wall-mount:


The second is the Raindance Air. Here's it is as a handheld:


And here it is as a wall-mount.


These new showers from Hansgrohe will allow you to use less water, save more money and still enjoy a good shower.