16 August 2011

My life 20 years from now, a Blog Off post


Every two weeks, the blogosphere comes alive with something called a Blog Off. A Blog Off is an event where bloggers of every stripe weigh in on the same topic on the same day. The topic for this round of the Blog Off is "What will your life look like 20 years from now?"

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Portrait of an Old Man (Johann Harms); Egon Schiele, 1916;  Solomon R. Guggenheim Museum; New York


In 20 years I'll be 66 years old. That sounds old, but then again, 20 years ago I was 26 and 46 sounded positively ancient. But at 46 I can say that 46 doesn't really feel very old. So I'm sure the 66 year old version of me won't think he's old.

But the last 20 years ago have taught me a thing or two and I expect that the next 20 will teach me even more. One of the important things I've learned is to avoid making predictions about a future I can't control. Had I been asked this question at 26, the prediction I would have made at the time would have born zero resemblance to what my life actually looks like today. I can't tell you what a great thing it was to have been so wrong about so much.

One of the best gifts I've received as I've grown older is patience. When I was a lot younger I was devoid of it entirely and I wasted countless opportunities in my rush to have the future arrive. A future I had all mapped out of course. But some time in the last 20 years I learned the folly of getting to hung up on specific plans, specific results and specific futures. I've learned that if I can instead plan for intangibles like "I want to be happy," I end up in a better place when it's all said and done. More important than that, I can then concentrate and enjoy every moment of the constantly inventing itself present.

If I get too attached to the end game, I can't alter my plans and I can't jump on the new opportunities that show up so consistently. If I can fully commit myself to now, tomorrow takes care of itself. That sounds counterintuitive, but it works.

So what will my life look like in 20 years? I wouldn't hazard a guess but I have a feeling it'll look somewhat like my life does today. I will be engaged in something productive that pays the bills and makes me feel fulfilled. I'll have a lot of contact with the people I love. I'll continue to learn and grow. I'll still delight in the actions and activities of my nieces and nephews as they strike out on their own and build lives for themselves. I'll have traveled to a bunch of new places and will have collected a whole lot more stories. I'll still be writing in some capacity. I'll be happy.

That's it. Me in 20 years. It'll be interesting to see what my life looks like then but not nearly as interesting as the path I'll take to get there. What about you?

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As the day goes on, the rest of the participants in today's Blog Off will appear miraculously at the end of this post. Keep checking back and check out everybody's posts. You can follow along in Twitter as well, just look for the hashtag #LetsBlogOff. If you'd like more information about about the Blog Off or if you'd like to see the results of previous Blog Offs, you can find the main website here.









13 August 2011

Something light for a Saturday, the blessed curse of red hair

Modigliani, Redhead in a Black Dress, 1918

I read something interesting and well written on The Huffington Post yesterday. In and of itself that's news. As my Dad would say, "Even a blind pig can find an acorn once in a while." Anyhow, the piece if found was an essay written by Katherine Bindley called Being a Redhead: Why it's a Love Hate-Relationship.

A highlight:
I admit that being a redhead isn't the only hair curse. Having tightly wound, frizzy, unmanageable locks is no blessing for your average kid, either. And yet, I've never heard anyone threaten to "beat someone like a curly haired stepchild."

Disclaimer: I am a redhead.

Every word that woman wrote rung so true I couldn't believe it. It's as if she talked to me before she wrote her essay. But really, she didn't have to talk to me. We're members of the same tribe. She knows and I know what having red hair means without uttering a word.

Redheads are tormented as kids, tormented. That can't be repeated often enough. We're tormented. If there's any truth to the idea that we have quick tempers, that temperament stems from an endless chorus of "redhead peed the bed" we hear all through elementary school. It's an easy difference to spot and latch onto. That it's encouraged by absurd stereotypes their parents hold onto just makes it worse. In the West, we're the other kind of white person and having red hair taught me early and valuable lessons about what it feels like to be an other.

Red hair's not an exclusively Caucasian trait though and it's thought that it first appeared in Africa some 50,000 years ago. Asian, African, Middle Eastern and European redheads get our hair color from a genetic mutation on chromosome 16. Due to that mutations, we produce more of a pigment called eumelanin than we do the more typical melanin. Our skin color tends to follow our hair color and regardless of race, redheads are always more light complected. That light complexion is a double-edged sword. In tropical climates we get more skin cancer. But in temperate climates we can make more vitamin D in low light. Tropical redheads are a lot more rare than temperate ones as a result.

In addition to being able to make more vitamin D in low light, we're also more prone to be left handed, we require on average 20% more anesthetic to knock us out, we retain heat better, go deaf more often, have worse than average vision and bees sting us more readily.

Worldwide, we make up between 1 to 2% of the population. In the US, we're somewhere around 3%. Scotland, the land my red-headed ancestors called home, has the world's highest percentage at 14%.

History hasn't been kind to us, redheads have always been viewed with a suspicious eye. In the Spanish Inquisition, people with red hair were assumed to be Jewish automatically, rounded up and slaughtered. In ancient Egypt, red heads were rounded up and burned alive to purge society of bad elements. Adolf Hitler's insane beliefs about genetics led to laws that forbade two redheads from marrying. In Medieval Europe, red hair was seen as a sign of someone who was oversexed and untrustworthy. In England today we're called gingers and discrimination against gingers is reported to be widespread. In Australia, we're called rangas, slang for orangutan.

Here's a quote from Heinrich Kramer's Malleus Maleficarum. Heinrich Kramer a Catholic Inquisitor in Germany in 1487.
Those whose hair is red, of a certain peculiar shade, are unmistakably vampires. It is significant that in ancient Egypt, as Manetho tells us, human sacrifices were offered at the grave of Osiris, and the victims were red-haired men who were burned, their ashes being scattered far and wide by winnowing-fans. It is held by some authorities that this was done to fertilize the fields and produce a bounteous harvest, red-hair symbolizing the golden wealth of the corn. But these men were called Typhonians, and were representatives not of Osiris but of his evil rival Typhon, whose hair was red.
Being a redhead then makes dealing with the childhood harassment of today seem mild to say the least.

It's taken me a lifetime to get used to my red hair and at this stage of my life I love it. I think the tide turned some time when I was around 25 or so. I had about a 15 year run until it started to change color to something more like reddish brown. The hair on my head at any rate. Without getting too indelicate, the hair on the rest of me is as red as its ever been. That hair color change is also reported to be typical. redheads tend not to get gray hair. Rather, our hair changes color all at once. From coppery red as kids, to something more red-red as teens, to brown-red as adults, then onto gold-red, light gold and finally, white. Based on what I saw unfold for my beloved grandmother Stewart, I will be an old man with gold-tinged hair at some point in my late 60s. When I hit 75, it'll be as white as snow.

I have a very large family. I have five brothers and a sister. I have 23 nieces and nephews, two great-nephews and a great-niece. I love those kids with a love so deeply it scares me sometimes, regardless of their hair color. In total, my immediate family now numbers 39 people once I include my sibs, their spouses and kids. By any stretch, that's a lot of people. Two of my older brothers are red-headed too and despite how prolific they've been, there haven't been any more redheads in the generation that follows me. However, all of that changed last spring with the arrival of my great-nephew Xavier.


Even in his pre-verbal state, the redhead brotherhood runs as deep as it runs strong. That little boy and I share the same mutation on chromosome 16. Beyond that, when he and I lock gazes, we share something else, an almost knowing allegiance. I make it a point not to have favorites among my many nieces, nephews and assorted greats. But this little guy's going to challenge all of that.

All of those kids I'm related to are already perfect in my eyes and there's nothing any of them can do that will ever make me think less of them. However, Xavier's something more than perfect. He's something closing in on sanctified.

I know he's going to get hassled when he's a kid and I know he'll always be described as "that red-headed guy." But what Xavier can't know that I do know is that he's going to age better than his peers will. He'll have a better tolerance for pain (which will help with the bee stings). He'll be viewed as an exotic species for the rest of his life, and eventually he'll see that as a positive. By the time he's 25, I'll be the drooling, inconsequential old man in the corner and though he may not know it then, he will have always had the the undying adoration of his great-uncle Paul. Even though he doesn't play favorites.

Chime in if you're a redhead (or ginger or ranga)!


12 August 2011

Reader Question: What's my style?

Help! I'm getting ready to renovate my house and I'm in a bit of a quandary. I like all kinds of things, from antique sofas to hyper-modern appliances. I've been going through the magazines and hard as I try to, I can't categorize my style. It's one thing to be indecisive but there's a lot of money on the line here and I'm wondering if there's a website or a tool that will help me find my style?

I haven't run a reader question in ages but this one was too good to pass up.

Sun in an Empty Room, Edward Hopper - 1963; Oil on canvas, 28 3/4 x 39 1/2 inches; Private collection 

Why the rush to categorize what you like? No one categorizes how she or she dresses and I don't understand why anybody would want to pigeonhole him- or herself into a rigid category someone else defines.

Before I go any further I want to ask you to do something for me. Stop watching HGTV. I suspect that network is where you're getting this need to categorize yourself. Contrary to how it looks, HGTV doesn't exist to educate you. It's there to sell you the products that pay to appear in their programs. Any time you see Genevieve Gorder or David Bromstad pick up or call out a branded product, that's a paid placement. It's easier to sell people stuff by forcing them into a category and that's what drives the idea that there are people who are country, contemporary, cottage or what have you.

Reality works a lot differently than that because people can't be categorized so easily. It's human nature to want to break massive amounts of information into manageable groups but resist the urge to do that with yourself.

Morning Sun, Edward Hopper - 1952; Oil on canvas, 28 1/8 x 40 1/8 inches; Columbus Museum of Art, Ohio

The other notion to rid yourself of is the idea that there's such a thing as timelessness when it comes to design. All design looks like the time when it was installed. Even retro styles are modern interpretations of other times. The reason for this is simple, times and people change. If you're looking for longevity, there are classics aplenty but even they are hardly timeless.

Rather than categorizing everything you see into a a specific style, concentrate on the individual elements of the rooms photos you're drawn to. Join a site like Modenus.com or Houzz.com and start collecting scrapbooks of photos. As you add each photo, write a note about what you like in the shot.

In a very short time you'll have a collection of images that can be called eclectic, which is what most people end up with. Eclectic means a bit of everything and it's a perfectly fine thing for an aesthetic sensibility to be.

Rooms by the Sea, Edward Hopper  - 1951; Oil on canvas, 29 x 40 inches; Yale University Art Gallery, New Haven, Connecticut 

Once you have a good collection going, start interviewing designers. Interview them as you would interview an employee. There's no real hurry but what you want is to find someone who can listen as well as he or she can advise. Good designers, not the ones who end up on HGTV, don't have specific styles they work in. Their job is to channel your sensibilities to give you the home you want. A good designer can look through your seemingly unrelated scrapbooks and find the common threads that will make you feel like your renovated home fits you.

If a designer you're interviewing doesn't listen or if you're not 100% comfortable, then move on. Don't expect the designers you meet with to do anything but talk to you about your project and expect them to ask what your budget is. Holding onto that piece of information in particular helps no one. Their goal is to help you spend your money more wisely, not to fleece you. Working with a designer will save you money, despite how counterintuitive that statement may sound.

But it's only a designer who can show you how to knit together all the disparate things you like. A good designer can make sleek, modern appliances work with antique Hoosier chests if that's your thing. A good designer can combine a Duncan Phyfe sofa with an Eames Lounge and an Arco floor lamp and make it work.

Hotel Room, Edward Hopper 1931; Oil on canvas, 60 x 65 inches; Thyssen-Bornemisza Collection

So the answer to your question is to stop trying to categorize yourself and find a good designer. I'm plugged into an amazing network of dedicated designers and if you need a referral I will find you someone.




11 August 2011

Speaking of wood floors



Here are my Hardwood Floor overviews that have run on Houzz.com these last two weeks. Click ont he slide shows and they'll send you to the original postings.











The last wood species I profiled is an Australian wood called Spotted Gum. It's breathtaking and it spurred a bit of a sidebar conversation about gum trees and koalas, check it out.

10 August 2011

Meet the highly innovative Next Generation Europa Collection of ventilation hoods from Zephyr

The Milano Glass Island Range Hood


Household ventilation powerhouse Zephyr just released a newly-imagined collection of ventilation hoods called Next Generation Europa. These hoods are game changers on a whole bunch of fronts and it's exciting to see an appliance manufacturer be so willing to abandon business as usual in the quest for greater efficiencies.

The Milano Wall Glass Range Hood

What kind of efficiencies? Well, the entire Next Generation Europa Collection produces 77% less noise, delivers 30% more cubic feet per minute (CFM) of ventilation, is 77% more energy-efficient and uses low-temperature, high-definition light bulbs that will last for 68 years.

The Modena Island Range Hood

All of that efficiency is hidden in designs that are so sleek and beautiful you'd never imagine they were using a "green" approach to appliance design. Throw away the hair shirts, this collection proves that beauty can use resources wisely too.

The Modena Wall Range Hood

There are a couple of key components to Zephyr's core efficiencies. The first being a an onboard computer that not only manages the user interface, it runs a DC controller. What that means is that these hoods take AC current from the wall and convert it to DC. DC power is more controlled and DC power allows the motor to generate higher torque with fewer RPMs.

The Napoli Island Range Hood

Another key component to these new hoods are the high definition LED lights they use. The bulbs were developed by Bloom and they use 3 watts of power to generate a light level that's nearly as warm and intense as halogen. The "warmth" of a light source is measured in degrees Kelvin and the lower the number, the warmer the light is said to be. Most white LEDs come in at around 5000K but the HD LEDs from Bloom and Zephyr come in at 3200K. Traditional halogens come in at around 3000K, so unless you're doing a direct comparison, I doubt anybody would be able to identify these lights as LEDs. Those HD LEDs also come with something else that's unheard of for a light bulb, a three year warranty.

The Venezia Wall range Hood

Finally, the last and most noticeable key component to this collection is a motor Zephyr calls a DCBL motor. The DCBL motor uses 26 watts to operate as opposed to 115 watts for a traditional blower motor. On its lowest setting, the DCBL motor generates enough CFMs of air circulation to effectively vent one 10,000 BTU burner and one 15,000 BTU burner when both are set on high but it does so with 77% less noise and 30% more CFMs. The DCBL motors have six power levels and even when they're running at full bore, it makes 11% less noise, uses 43% less electricity and delivers 38% more CFMs than a traditional motor.

The Verona Wall range Hood

Am I getting too techie? I can't help myself some times, I know. Did I mention that they're pretty to look at too?

The Milano Island Stainless Range Hood

The Next Generation Europa Collection is a small part of Zephyr's large number of available models. Poke around Zephyr's website to see more and to learn some important terms about kitchen ventilation. There are even some online tools to help you determine the proper height for a range hood and how to buy the ideal CFM rating for your kitchen hood.

The Milano Wall Range Hood