Next week, sink and sanitary ware manufacturer Duravit will debut the Cassia line of kitchen sinks in North America.
Cassia is a product of Phoenix Design and comes in three reversible sizes and five colors and it's made from a new ceramic, DuraCeram.
Aside form all of that, it has all the features I've been whining that sinks sold int he US never have. Note the drain switch, the overflow drain and the integrated drainboard. Keep 'em coming Duravit! You can find more information on the Cassia line and the rest of Duravit's products on their website.
06 March 2011
05 March 2011
Color theory on Houzz
Posted by
Paul Anater
I've been running my mouth about color theory on Houzz.com lately. Here are the slide shows in case you missed them. If you're not already a reader over there, spend some time combing through our staggering collection of inspiration photos. Give us a like on Facebook too while you're at it. Thanks!
If you click on any of those slide shows they'll take you right to the site and you can read the original postings.
I like to give practical advice based on sound theory and I think that's what I've been providing over there. Stay tuned on that site for more of my color stories.
Labels:
color scheme
04 March 2011
I'm not that innocent
Posted by
Paul Anater
This is the Innocenza, also by Andre de Benedetto for Desart. I have to say that innocent is about the last thing that comes to mind after looking at this thing.
Here's the gobbledygook description from the catalog:
Look, I'm no prude but really?
Here's the gobbledygook description from the catalog:
Innocenza is a chair that with its harmonious and welcoming form, is a warm lap to curl up in, a soutane you can hide under for a while.Here's the "fluid" back it references.
Its lines are similar to the Luigi Filippo furniture of the late 1800s, but the iconographic reference that immediately comes to mind is without a doubt the bohemian atmosphere of a joyous Moulin Rouge.
Innocenza, in fact, is immediately female. A joyous and liberal ballerina in her pirouettes, who does not hide a resolutely intriguing soul.
The lace is provocative. A sensual guêpière beautifies it, so that it’s almost as though you can see a slender bust below the neck that flows down to the concave and fluid back.
Look, I'm no prude but really?
Labels:
foolishness,
furniture
Ummmm. A sea urchin? Really?
Posted by
Paul Anater
This chair by Andrea de Benedetto for Desart is supposed to be inspired by a sea urchin.
Maybe it's just me but it looks more like a gunshot wound. Several gunshot wounds.
Maybe it's just me but it looks more like a gunshot wound. Several gunshot wounds.
Labels:
foolishness,
furniture
03 March 2011
Congratulations Yulia and Julie: results from Mosaic Art International
Posted by
Paul Anater
Yulia Hanansen and Julie Richey are accomplished mosaic artists, great friends of this blog and recently-announced prizewinners at this year's Mosaic Art International juried show.
Yulia was awarded best in show by the three-person, international jury. She won for Jupiter: Great Red Spot, her interpretation of the Great Red Spot visible on the surface of Jupiter.
"Jupiter: Great Red Spot," c. 2010.
Materials: Layered stained glass.
Size: 36" x 56"
Price: upon request
From the artist: "Jupiter has always fascinated me as unrealized star- a planetary body that is too small for a nuclear fusion action. It is a giant planet that we can never land on. And it is in charge of one of the greatest hurricanes that we can observe- the Great Red Spot."
Artist statement continued: "Because of a layered layout, this mosaic required some research on structure of the GRS. I had to contact a NASA scientist who was very generous and sent me a couple of papers that she has written on cloud deck observations of Great Red Spot."
I've long appreciated Yulia's ability to make art and science co-exist in her work and it's a thrill to see her recognized with Mosaic Art International's Best in Show.
Another artist whose work I revere and whose friendship I treasure is Julie Richey. Julie won Mosaic Art International's Best 3-D Mosaic for her figurative dress sculpture, La Corrente.
"La Corrente," c. 2010
Materials:Marble, smalti, seashells and 24k gold
Size: 29” h x 22” w x 22” d
Private Commission
From the artist: "La Corrente is about beauty amidst destruction."
Artist statement continued: “It was created during the Gulf oil spill and it alludes to the many destructive forces, both man-made and natural, that creep in with the current.” Richey describes her work as “utilizing the innate opulence of mosaic materials – 24k gold smalti, marble, semi-precious stones, iridescent glass and minerals – to embellish sculptural forms in unexpected ways.”
Both women have fantastic websites that showcase more of their work and both women have work available for immediate sale and are open to private commissions. I invite you to explore both of their sites to gain some insight into how this most ancient of art forms is expressed in its highest forms today.
Julie's site is called Julie Richey Mosaics and you can find Yulia Hanansen's site is called Mosaic Sphere. Drop in, say hello and tell them I sent you.
Congratulations once again Yulia and Julie!
Yulia was awarded best in show by the three-person, international jury. She won for Jupiter: Great Red Spot, her interpretation of the Great Red Spot visible on the surface of Jupiter.
"Jupiter: Great Red Spot," c. 2010.
Materials: Layered stained glass.
Size: 36" x 56"
Price: upon request
From the artist: "Jupiter has always fascinated me as unrealized star- a planetary body that is too small for a nuclear fusion action. It is a giant planet that we can never land on. And it is in charge of one of the greatest hurricanes that we can observe- the Great Red Spot."
Artist statement continued: "Because of a layered layout, this mosaic required some research on structure of the GRS. I had to contact a NASA scientist who was very generous and sent me a couple of papers that she has written on cloud deck observations of Great Red Spot."
I've long appreciated Yulia's ability to make art and science co-exist in her work and it's a thrill to see her recognized with Mosaic Art International's Best in Show.
Another artist whose work I revere and whose friendship I treasure is Julie Richey. Julie won Mosaic Art International's Best 3-D Mosaic for her figurative dress sculpture, La Corrente.
"La Corrente," c. 2010
Materials:Marble, smalti, seashells and 24k gold
Size: 29” h x 22” w x 22” d
Private Commission
From the artist: "La Corrente is about beauty amidst destruction."
Artist statement continued: “It was created during the Gulf oil spill and it alludes to the many destructive forces, both man-made and natural, that creep in with the current.” Richey describes her work as “utilizing the innate opulence of mosaic materials – 24k gold smalti, marble, semi-precious stones, iridescent glass and minerals – to embellish sculptural forms in unexpected ways.”
Both women have fantastic websites that showcase more of their work and both women have work available for immediate sale and are open to private commissions. I invite you to explore both of their sites to gain some insight into how this most ancient of art forms is expressed in its highest forms today.
Julie's site is called Julie Richey Mosaics and you can find Yulia Hanansen's site is called Mosaic Sphere. Drop in, say hello and tell them I sent you.
Congratulations once again Yulia and Julie!
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