I love a solution and I hate writing bitter and complaining blog entries. To redeem myself for my last slide into bitch mode, I just found this:
This is the Quench shower system from a plumbing company in Australia called Quench Showers, easily enough. The Quench is a dual mode shower system made for an Australian market suffering from water use restrictions most American can't imagine but will have to live with sooner rather than later. The dual mode of the Quench allows one to shower normally and then after rinsing off, the user can then switch the shower to recirculating mode and stay in there for the rest of the day without using any more water. Brilliant! Watch the video and then hatch a plan to bring them to the US and make millions in the process. Who says responsibility has to involve sacrifice and penury?!
19 April 2008
Enough with the bottled water already!
Posted by
Paul Anater

From the LA Times,
A controversial, estrogen-like chemical in plastic could be harming the development of children's brains and reproductive organs, a federal health agency concluded in a report released Tuesday.
The National Toxicology Program, part of the National Institutes of Health, concluded that there was "some concern" that fetuses, babies and children were in danger because bisphenol A, or BPA, harmed animals at low levels found in nearly all human bodies.
Read the article, and others like it and pretty soon you'll see that this research is the first official finding that wasn't bought and paid for by the plastics industry. This is not news, I've been reading about pseudo estrogens in plastics for at least the last ten years. I had no idea of their omnipresence until this week though. "BPA is found in nearly all human bodies," the report said. Think about that. In yet another example of industries' complete inability to police themselves, chemicals like BPA are swimming around unseen and unknown in all of us and it's only now that someone raises a red flag. What other harmful substances am I harboring and don't know about? Wait a minute, I don't want to know.
This is not solely a concern of the granola-eaters and fringe elements of the environmental movement. This is another glowing example of the unsustainability of life as we've come to know it in the last 50 years. The move to plastic packaging happened because it was supposedly cheaper, and cheaper was supposed to mean better. As with just about anything, looking for cheaper is a short term goal that always carries with it a host of unintended consequences. All I can say is please give me back my glass bottles.

Labels:
foolishness,
sustainability
17 April 2008
What's modern and what's contemporary?
Posted by
Paul Anater
I had a client come to me some months ago and she wanted to do a gut and re-do to the first floor of her house. As we discussed the direction she wanted to go with her renovation, she repeatedly used the term "modern." As in "I want everything to look modern." She didn't show any photos or clippings she'd collected
that looked like what she wanted and I didn't have her go through any of my books so she could show me things that she liked the way I usually do. She was pretty determined to get what she wanted and what she wanted was Modern in her words.
I work in how things look, but I have to describe how those things look in pretty exact terms
. Modern means something very specific to me. It means no ornamentation, it means simple lines, it means repetitive shapes. Modernism relies on the big picture to set a mood. Modernism asks you to step back and take in the whole thing rather than concentrate on smaller vignettes and details. Modernism is the Guggenheim on Fifth Avenue. Modernism pares down forms to their barest essence and asks questions of me like "how to I
maintain total function while using the fewest numbers of shapes?" Modernism makes people live simple and uncluttered lives, modernism makes someone throw away the junk mail as it arrives and pay their bills on time. Modernism is minimalism. Always. I love Modernism. I love it I love it I love it.
I set about a plan for my client and I took a good week-and-a-half to complete some preliminary drawings and find some samples of the finishes I would use in her newly Modern home. Modernism is a classic --it's timeless. I love telling myself that my designs for a client will stand the test of time and I was pretty happy with the direction I was taking this client's home.
She hated it and I had to re-do everything. I lost another week coming up with a new direction. It wasn't a total loss though. Armed with my concept drawings, we now had something to talk about and she could show me what she wanted. Unfortunately, the drawings were examples of exactly what she didn't want. She wanted ornamentation. She wanted small picture stuff. She wanted every sight line in her renovated home to feature a series of focal points that related to one another. She wanted crown moldings and inlaid floors and paneled appliances. She wanted original and she wanted something very now. About five minutes into my presentation I saw that I'd missed the mark completely and I did so because we weren't using the same vocabulary.
She had been using the term Modern to describe Contemporary. Contemporary is a very different thing from Modern. Contemporary means Now. Contemporary isn't timeless and a classic. There's absolutely nothing wrong with Contemporary, it's just another thing all together. Contemporary is never minimalist and that's the easiest way to identify it.
Using architecture as an example again, if Frank Lloyd Wright's Guggenheim on the Upper East Side is Modern, then Michael Graves' Swan Hotel at Disney is Contemporary. The Swan Hotel
is a marvel --it's impossible to walk around it when you're in a hurry. There is so much going on with it, yet all of its parts combine into a cohesive whole. As with anything Michael Graves designs, it has a sense of whimsy about it that makes it sit perfectly in the middle of an amusement park. The Guggenheim on the other hand sits on the corner of Fifth Avenue and 89th Street in a neighborhood lined with tall apartment buildings and across from the leafy expanse of Central Park. Its rounded lines form a perfect bridge between the hard surfaces and lines of the buildings on the east side of Fifth Avenue and the trees in the park on the west side. It's also impossible to hurry past, but because its simple facade
contrasts so strongly with its surroundings.
The lesson? If you're going to embark on a renovation and you're going to talk to a designer about it, start a clip file of things you like. Be sure that you and whoever you're talking to share a vocabulary. My lesson? Anybody who comes to me without such a clip file is going to spend some time in my design library. Clients and I need to speak the same language, even if we have to make one up.

I work in how things look, but I have to describe how those things look in pretty exact terms


I set about a plan for my client and I took a good week-and-a-half to complete some preliminary drawings and find some samples of the finishes I would use in her newly Modern home. Modernism is a classic --it's timeless. I love telling myself that my designs for a client will stand the test of time and I was pretty happy with the direction I was taking this client's home.
She hated it and I had to re-do everything. I lost another week coming up with a new direction. It wasn't a total loss though. Armed with my concept drawings, we now had something to talk about and she could show me what she wanted. Unfortunately, the drawings were examples of exactly what she didn't want. She wanted ornamentation. She wanted small picture stuff. She wanted every sight line in her renovated home to feature a series of focal points that related to one another. She wanted crown moldings and inlaid floors and paneled appliances. She wanted original and she wanted something very now. About five minutes into my presentation I saw that I'd missed the mark completely and I did so because we weren't using the same vocabulary.

Using architecture as an example again, if Frank Lloyd Wright's Guggenheim on the Upper East Side is Modern, then Michael Graves' Swan Hotel at Disney is Contemporary. The Swan Hotel


The lesson? If you're going to embark on a renovation and you're going to talk to a designer about it, start a clip file of things you like. Be sure that you and whoever you're talking to share a vocabulary. My lesson? Anybody who comes to me without such a clip file is going to spend some time in my design library. Clients and I need to speak the same language, even if we have to make one up.
Labels:
interior design
15 April 2008
Is there such a thing as a sustainable counter?
Posted by
Paul Anater
There's a lot of talk about the need for and the importance of using renewable, sustainable materials and practices in home construction and it's difficult to get a clear picture about what's "green" and what's not. Avonite makes a solid surface counter material that it markets with a recycling symbol. Avonite's recycled patterns do have chopped up scraps of solid surface in them and it's better that those scraps end up in a counter than in a landfill, but solid surface is hardly a benign product. Between its petroleum-based polymers and the powdered aluminum ore that is all solid surface materials' primary ingredient, making it leaves behind a toxic soup. Even so, recycling some of their industrial waste is laudable, but it doesn't negate the unsustainability of their product.
Natural stone counters are inert for the most part, but quarrying and transporting them around the globe brings a host of environmental and human rights along for the ride.
Quartz counters are made from stone aggregates of questionable origins and a whole lotta petroleum. They are unrecyclable and don't biodegrade.
So what's left? It seems that everywhere I turn I find something non-renewable or non-sustainable when I go to specify a counter material.
Or maybe not. There are two products that have recently come to my attention as possible "green" substitutes for the counters that end up in most peoples homes now.
The first is a product called Fireslate. Fireslate is made by a single manufacturer in East Wareham Massachusetts and has been around since the early years of the 20th century. Fireslate was developed originally as a fireproof lining for the undercarriages of cars but it makes for an interesting counter top. Fireslate is also what the counters in my High School chem lab were made from. I think that's what all chem lab counters were made from it now that I think about it. Anyhow, Fireslate is made from cement, sand and recycled paper and looks for all the world like soapstone. It's available in a few colors beyond black and gray and I predict that
it's appeal will grow in the coming years and that they won't be the only manufacturer of this material for long. In the meantime, their website isn't the most helpful thing out there and finding photos of a Fireslate counter is quite the task. It does seem to have a large following out there though. Fireslate is rock hard and needs to be treated with tung oil to keep it sealed. It does scratch and develop a patina in the same way that soapstone does and is water resistant enough that it can be used to make sinks. Interesting
stuff this Fireslate, I just wish the company behind it did a better job of telling me about their product.
The second product I found is also made from sustainable wood pulp. Yes, these are counters made from paper essentially. Tacoma, Washington-based Richlite is the manufacturer that gets the most attention, and they have a pretty helpful website. Richlite is heavy, heat, scratch and bacteria-resistant. The counter to the left is a Richlite counter.
Another Washington-based company is making a sustainable and non-toxic product called Paperstone. Paperstone is made from post-consumer recycled paper and a resin derived from cashews. It's interesting stuff. To the right is a vanity top made from Paperstone.
So there are products out there that do take this environmental responsibility thing seriously. I think you'd do well to think about them at he very least if you're in the market for a new counter. Even if you're not, these three products are the leading edge of a something we'll be seeing more and more of in the coming years. And that my friends, is a very good thing.
Natural stone counters are inert for the most part, but quarrying and transporting them around the globe brings a host of environmental and human rights along for the ride.
Quartz counters are made from stone aggregates of questionable origins and a whole lotta petroleum. They are unrecyclable and don't biodegrade.
So what's left? It seems that everywhere I turn I find something non-renewable or non-sustainable when I go to specify a counter material.
Or maybe not. There are two products that have recently come to my attention as possible "green" substitutes for the counters that end up in most peoples homes now.



The second product I found is also made from sustainable wood pulp. Yes, these are counters made from paper essentially. Tacoma, Washington-based Richlite is the manufacturer that gets the most attention, and they have a pretty helpful website. Richlite is heavy, heat, scratch and bacteria-resistant. The counter to the left is a Richlite counter.

Another Washington-based company is making a sustainable and non-toxic product called Paperstone. Paperstone is made from post-consumer recycled paper and a resin derived from cashews. It's interesting stuff. To the right is a vanity top made from Paperstone.
So there are products out there that do take this environmental responsibility thing seriously. I think you'd do well to think about them at he very least if you're in the market for a new counter. Even if you're not, these three products are the leading edge of a something we'll be seeing more and more of in the coming years. And that my friends, is a very good thing.
Labels:
countertop,
kitchen design,
sustainability
14 April 2008
Listen while I opine some more about counters.
Posted by
Paul Anater
I love granite as a counter top material. It has a liveliness and a depth to it that other materials can't come close to. How cool is it to bring something into your home that was once part of the seething cauldron below our feet? It's neat stuff all right, and when it first started to appear in American homes about 20 years ago it was a luxury item. Now it's everywhere and using it in a kitchen renovation is practically a standard. As it's caught on and become more popular it's also become less expensive. No one's giving it away, that's for sure. But gone are the days when it cost as much as a car to have put in your house.
As it is with most things, granite is beginning to suffer from its own popularity. The fact of its near omnipresence has certain segments of the market looking for something else. Don't get me wrong, you cannot go wrong with having granite counters. But even so, my mind does wonder sometimes to what else is out there.
I mentioned Quartz tops in my last post and I want to look at a couple of other new materials that are beginning to show up. As with most new stuff, these new materials are making some inroads in the high end. And just as it does with just about every other aspect of life in a consumer culture, what the high end goes for today is what the masses go for tomorrow.
I often refer to Quartz as a variation on terrazzo. Well, there's a company called Vetrazzo and they are onto something. Vetrazzo is a Richmond, CA based company that makes actual terrazzo for use as counter tops, and they make it out of recycled glass. It's really pretty stuff in the right setting. The pattern above and to the left is Indochine Amythest and it is made from discarded glass and fine grade cement. It's shiny, hard, scratch-resistant and all of the other things you'd expect a counter to be. Yet because of its glass content, it has a depth that quartz tops can't touch. To the right is a pattern called Green Vetrazzo. I'll give you a quarter if you can guess its primary ingredient.
Also interesting and incredibly expensive is a product from France
called Pyrolave. Pyrolave the counter material is made from a very dense volcanic rock from the Auvergne region in France. Pyrolave quarries this volcanic rock in the same way that one would quarry granite or marble. Then they do something completely different --they glaze it the way one would glaze pottery. Pyrolave is available in many colors, in both glassy and matte finishes. These counters are templated on site, fabricated in France and then installed by team of crack tradespeople flown in just for you. I can't imagine how much all of that costs by the time it's all said and done, but what's notable here is their
method. Glazed stone is a material unlike anything I've ever seen. I touched a Pyrolave counter at a trade show last year and I was really blown away by it. It feels for all the world like a single piece of ceramic. Absolutely amazing stuff, and it wouldn't surprise me at all if some enterprising Yankee came up with a way to do a similar process to a more prosaic material.
So what does all of this mean? Well, it means that there's a world of innovation out there and someday soon, those innovations will trickle down through the market. Just in time for people like me to rediscover Formica. Hah!

I mentioned Quartz tops in my last post and I want to look at a couple of other new materials that are beginning to show up. As with most new stuff, these new materials are making some inroads in the high end. And just as it does with just about every other aspect of life in a consumer culture, what the high end goes for today is what the masses go for tomorrow.

I often refer to Quartz as a variation on terrazzo. Well, there's a company called Vetrazzo and they are onto something. Vetrazzo is a Richmond, CA based company that makes actual terrazzo for use as counter tops, and they make it out of recycled glass. It's really pretty stuff in the right setting. The pattern above and to the left is Indochine Amythest and it is made from discarded glass and fine grade cement. It's shiny, hard, scratch-resistant and all of the other things you'd expect a counter to be. Yet because of its glass content, it has a depth that quartz tops can't touch. To the right is a pattern called Green Vetrazzo. I'll give you a quarter if you can guess its primary ingredient.
Also interesting and incredibly expensive is a product from France


So what does all of this mean? Well, it means that there's a world of innovation out there and someday soon, those innovations will trickle down through the market. Just in time for people like me to rediscover Formica. Hah!
Labels:
countertop,
kitchen design,
sustainability
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