23 June 2010

Forbes and Lomax rethought the light switch


Now that's what I call a light switch.

That switch and the rest of the switches, dimmers, outlets and related plates were made by London-based Forbes and Lomax. Forbes and Lomax is a 20-year-old company that identified a problem; switch plates are an ugly, necessary evil; and then they set out to fix the problem.









Fix it they did. These things are fantastic in that they all but disappear. Their products are now available in the US and Canada and they have a product to fit any application you can dream up. Many thanks go to the blog Six Different Ways for pointing them out to me.

Forbes and Lomax you done good. Welcome to this side of the Atlantic.

22 June 2010

What is design?

A conversation sprung up on Twitter a couple of weeks ago on the topic of what is design. The conversation involved three other bloggers and those blogs are Dog Walk Blog, Modenus, Concrete Detail and me. We chose today to answer the question on our respective home turfs. Follow those links, I know I will. I'm curious to see what the other three came with as a definition of design.

So this leaves me. What is design precisely? Well, I don't know that I have a precise definition for it other than that involves bringing order from chaos. Though this order isn't always wrought by human hands, the perception of design is exclusively human. Obviously. I felt compelled to say that because my working definition of design hinges on it.

Here are some examples of a not uncommon design element, a spiral.

Andromeda via Flickr

via Flickr

via Flickr

via Flickr

The Vatican Museum via Flickr

office tower in Nagoya

via Flickr

sculpture by Peter Coffin at the Saatchi Gallery

Human brains are pattern recognition machines, I say it all the time. We evolved brains that are hard wired to find patterns, whether patterns exist or not. So for me, design is the art of manipulating patterns. There are all manner of rules and regulations that determine what good design is but all good design comes from an awareness of those rules. Good design follows the rules but just as importantly, good design can dispense with the rules all together. What's important is the awareness, not necessarily an adherence.

So to answer the question, design is imposing order on chaos. What do you think? What's design to you?

21 June 2010

Re-imagined indoor and outdoor lights from Vibia

Vibia is a lighting brand made by in Grupo T Diffusion in Barcelona. I saw this light fixture in a hotel lobby in New York a couple of months ago and I was really taken with it.


It turns out that the fixture I saw was the Ameba by Vibia and it's a modular lighting system. You mix and match five interlocking shapes to make an infinite variety of lighting fixtures. They use compact fluorescent bulbs, come prewired and fit together easily. I think they're arresting to see and the design behind them is bordering on genius.




Once I figured out who the manufacturer was, digging around on their website felt like Christmas morning. These people do some amazing stuff.

What impressed me more than anything else was their take on outdoor lighting, Vibia's Tree series in particular. The shapes take their cue from poplar and cypress trees that ring the Mediterranean and I've never seen anything like them.





These outdoor fixtures are weather resistant and use either CFLs or LEDs so they're energy-efficient as well.

But it gets even cooler with the Halley fixtures. The Halley fixtures are all LED, low-voltage lights and I know I've never seen anything like them. As interesting as the walkway lights are, the dining lights take outdoor lighting into a new place all together.




I'm not kidding when I say that Vibia has re-imagined indoor and outdoor lights. Poke around on their site.

20 June 2010

DuQuella Tile rediscovers a lost art



One of my great Twitter friends is Cyra DuQuella. Cyra's a Portland, OR based tile artist who's spent her career rediscovering the lost art of tubelined tile. Tubelined tile is a technically demanding method of decorating tile. The relief patterns you see on the tiles in this post are examples of that tubelining. DuQuella tile isn't cast in a mold, each piece is hand done. DuQuella Tile has an extensive catalog and lives for custom projects. Cyra's an amazing woman and anybody who's willing to dedicate her life to learning and mastering a lost art is OK in my book.


I sent a couple of questions  to Cyra and her answers follow. If you have any questions about her work or her company, ask away in the comments and she'll get back to you. The DuQuella Tile website is a terrific resource and I encourage you to follow DuQuella Tile on Twitter.


What is your background, how did you end up in tile?

In my early 20s I found myself unemployed and bored and decided to take a pottery class at the YWCA. I was hooked immediately. Quite a few years later I was traveling in Europe and saw tubelined tile and was mystified by the beauty and technique. The business woman in me came to grips with that people call up and order thousands of dollars of tile but rarely do so for serving platters and sushi plates. So off into the tile world I go!


Are there any influences you rely on particularly?

I've never really been much for trends. I am in love with historical tile - especially European Arts & Crafts and Art Nouveau. The classic designs, the craftsmanship, the methods. Also Japonica aesthetics, designs and patterns.


How long have you been making DuQuella Tile?

I have been a potter for forever it seems but I put most of my focus on making tile beginning in 1996. Before tile became trendy.


What's your proudest achievement? Why?

Maybe thankful is a better word. I am thankful that I am able to do what I love every day. I get to create tile that I love and send them off to their new homes where they are truly cherished for their beauty and quality. Our clients are overjoyed by their selection and feel that their lives and homes are enhanced by something that we have put our creative energies and our craftsmanship skill into.

I am proud that I figured out how to make tubelined tile. Worldwide, there are very few of us creating tile using this method. I was determined to make the tile true to the historical method although the inherent properties of clay make it seem impossible.

The original method involved drawing a wet clay line onto a blank tile that had already been fired once (bisque).

As wet clay dries, it shrinks --but a bisque tile doesn't. I had to come up with a clay mixture that wouldn't shrink or crack when it dried and that would melt into the bisque tile enough to become an integral part of the finished tile without distorting the perfectly round shape of the tubed line. Alchemy at best!

It would have been much easier to slip trail the raised line on wet clay, made a mold of it, and press out a million of them and call it a day (or a tubelined tile, as some tilemakers do). But that was not my endeavor.


What brought you to Oregon?

When I moved here from central Washington --the cultural void of the universe, I lived at the beach for 6 years. I was so attracted to the lush green, the pristine beaches and the individualistic, liberal attitude of the people.


When you're not immersed in beautiful tile, how do you spend your free time?

There is not much free time for sure. There is always marketing, design brainstorming, website work and the dreaded paperwork. I am a much better artist than I am a paper shuffler.

I love to spend time on our property, CedarBerry Woods, in the central Oregon Coast Range. (3 hours from our home here in Portland) We have 12 acres of forest with a creek that the Coho salmon come to spawn every fall. We are doing riparian restoration, planting trees (Douglas Fir, Western Red Cedar, Hemlock and Coast Redwood) along the creek. I still have about 50 trees in pots ranging from 3' to 8' in my back yard waiting to go to their new home.

I am a vintage book collector (10,000+) and love to read. I've had to curtail collecting as my house is too full!

Spending time in my garden. We have no lawn - just plants and plants everywhere. For edibles we have fruit trees and loads of raspberries, marionberries, strawberries, kiwi and the usual assortment of vegetables. Everything is organic.

I have a bunch of cats and 2 dogs --all rescues that are endless entertainment and cuddlebugs and lovesponges.

A very special treat is to spend time with my daughter who is an amazing artist in her own right. We both have crazy, deadline-driven schedules so having time to relax together is treasured.


Out of all the patterns and projects you work on, which is (are) your favorite(s)?

This has got to be the hardest question.

Patterns --I love the flowing lines of the whiplashes of the Art Nouveau tile... and the earthiness of the Arts & Crafts tile... and the modern, futuristic edge of the Art Deco patterns.
Projects --I love when we are involved working up the layout and provide the field or subway as well as the decorative tile. Or when we have to come up with a design to go with the existing stained glass window in the room. I love working with the client who doesn't have a big budget but still wants those few pieces of really special tile to transform their space.

One of our favorite clients is [a man named] Lamar. We created a spectacular border comprised of multiple tiles for his bathroom. When he received his tile he called and left a voice mail and he was practically squealing with delight! I still have it saved and listen to it after a particularly long and grueling day! That's my favorite kind of project --when the client opens the box and it's like Christmas!


Do you work in media other than tile either on your own or professionally?

I was a graphic designer for several years before disbanding my firm to devote full-time to tile.

I used to design and make my own clothes. (Now I live in studio grubbies!) I've done sculpting in plaster and have created several series of silkscreened artworks.

I've worked mostly in clay --originally with wheel-thrown, functional stoneware. Progressing to include a line of tableware created using found objects (mostly vintage) for slump and hump molding with textures and patterns using anaglypta papers, vintage buttons and stamps that I designed. I currently make jewelry that I market on Etsy.


Who is your ideal customer?

Someone who wants tile that is beautiful, finely made, unique and in the perfect glaze colors and size for their specific project. We work with homeowners who may just want a few focal points in their kitchen backsplashes or have a fireplace surround whose measurements could at best be called asymmetrical. We provide support, problem solving and hand holding for those who don't know where to start with working with tile. We also work with seasoned (and not-so-seasoned) designers making their job easier by providing custom (not expensive) solutions in a one-size/color-fits-all world.


Where do you see DuQuella going from here?

Most importantly, moving the studio to CedarBerry Woods. My soul screams every day to hurry up and get there. There is so much yet to be done before we could live there. We (well, at least me) are also considering opening our land to artists and nature lovers to provide workshops and much needed respites from the vibration and chaos of life.

Always developing and experimenting with new designs and colors. Continuing to emphasize craftsmanship and advancing the appreciation of old world methods and historical designs.

We have in the works some new relief tile which is a definite departure from our tubelined tile. We're working on a collection of crackle glazes. I am making a new line of textured and patterned tile with an Asian influence. We are making a new website as a companion to our current website. The new website is more about tile ideas and examples of how to use our tile while our current website will be our online catalog.


19 June 2010

Hanging a mosquito net over your bed for effect isn't cool, it's moronic


The yahoos at Apartment Therapy ran a feature the other day about hanging mosquito netting over a bed or reading look to lend a pretty, soft, outdoors-y touch to your home. Pah!


Here were their suggestions, though I found some different photos to better illustrate the absurdity of this idea.


  1. Hang mosquito netting over a four-post bed to accentuate the space it encloses. 
  2. Circle just the crown of the bed with a smaller round canopy, as in this airy bedroom. 
  3. Establish gauzy "walls" for an outdoor dining room. 
  4. Canopy a lounge area to stay bug-free when hanging out this summer. 
  5. Create a mystical reading nook simply by enclosing a small area with mosquito netting and placing a floor cushion inside.


Mosquito nets can't be made pretty or cool no matter who's advancing them. If you live in a place where you need one, any of the set ups shown here or on the AT feature won't help you.


This kind of mindlessness drives me nuts. According to the World Health Organization, 247 million people worldwide contracted malaria in 2008 and a million of them died. The chief preventive for malaria is the humble mosquito net and those million deaths were caused by a lack of access to one.

Malaria's not such a problem in the developed world that people need to sleep under nets. In the tropical developing world, it's another story all together.

Here's an idea. If you're overcome with the need to drape a mosquito net canopy over your bed, stop. Instead of spending that money on a bad idea, why not donate it to Malaria No More? Malaria No More will take a ten dollar donation from you and get a mosquito net into the hands of someone whose life depends on it.

Seriously, can anybody look at these photographs and say to themselves, "Self, let's do that!" Save yourself the public shaming and turn that urge into something positive. Once again, that website is Malaria No More.

This is the proper use of a mosquito net, saving a life.